The elusive next level!

Next level?

Elusive next level Anthony Blake UK Landscape Photography and street photographerSearching for the elusive next level often gets bandied around like it’s an achievable goal. A hope that by stepping up a level will lift us to a better photographic status. The amazing thing is when you meet somebody with maturity in any field, they generally play down any notions of being on a higher step. They often display a different quality, an inner belief and maturity that manifests itself in a very self effacing way. They are more likely to be quite uncomfortable with the raised expectation and approval of others. Often preferring to concentrate on their inner reasons for doing what they do rather than whether others give them a raised status, David Attenborough springs to mind.


Growth era


The search for the elusive next level

We are all fortunate enough to have been born in the ‘photographic’ growth era. The time when camera technology has progressed from generation to generation. Even my 16 month grandson knows to look at the LCD screen after an image has been made. 


First cameras


Stories of the ‘first cameras’ owned often evoke the same affection and precious memories as that of our‘first car’.Of course, that first camera was undoubtably non-technical and would never stand up in today’s advanced world, Anglia 105e range picanymore than a 1960’s Ford Anglia would perform well on today’s roads. Technology in both cases, was uncomplicated, fondly remembered for the experience of its time. If we look back at the times when things were comparatively simple, were they better or worse? Did our Box Brownie, Olympus Trip or Kodak Instamatic take better images? Of course not, but the everlasting memory of using and producing photographs with them probably stays firmly fixed as a positive and an uplifting experience.


I felt like a dinosaur!


A young lady attending a workshop had never before seen a roll of 35mm film. She was fascinated when I explained how it worked – sadly I had no film camera with me to demonstrate the mechanics, but her humorous reaction to winding the film on, was priceless, I felt like a dinosaur!


Brass no less!


I recently visited an experienced lady client (not a dinosaur but a maturing photographer) to help her with her editing software. She has very much embraced the digital technology of our time, despite being close to 8o years old! I marveled when she showed me around her makeshift studio, a converted bedroom. One of the items she was still using was a very old fashioned viewing loupe; brass no less! I jokingly asked her to leave it to me in her will and she quite unequivocally agreed, knowing it would be well appreciated and in good hands, hopefully long after she’d had the experience of using it.

slides


Fond memories


My memory of family holidays was the looking back at the slides (remember slides?) through a 2’’ slide viewer. The more affluent had slide projectors! Then of course there was, and still is, that old biscuit tin full of photographs, so lovingly cherished … tell me you don’t have one! Funny as it seems now in this multimedia, instantly visual and computer chipped world, but I think we have lost something of the joy of these simple pleasures and experiences. It’s good to remain nostalgic and continue to debate the good and bad points of by-gone era’s, but there is a hidden thread lurking beneath all those discussions that is still prevalent in today’s technological world. The fact that, no matter what the camera, or lens, or film, slide or general photographic medium, whether it be in the 60’s 70’s, 80’s … it’s the experience we fondly remember!


Why is the fleeting so relevant?


So why then are the technical advances that are so fleeting and only relevant this week, month or at best, this year … so important to photographers? Why is so much importance put on the pixel count of the sensor or the dynamic range of rival cameras? The truth is, none of these issues are that important. The manufacturers trip over themselves to give us that extra gizmo or technical advancement. They then, through clever advertising, try to convince us that we need them to be become better photographers! Will a painter be any better by owning a better paint brush? Will we be better drivers by buying a newer car? Maybe or maybe not, but we still need to go through the experiences of the drive.


Must have mentality


One of the great joys as a tutor, is watching a photographer learn the rudiments of photography and seeing a creative maturity grow that only comes over a period of time. I also see the opposite happen, whereby a very enthusiastic new photographer falls foul of the manufacturers curse.  They can develop a ‘must have’ mentality that often fudges the real reason for making photographs. Ultimately this path will only serve to block their creative growth.


Where are we looking for our growth?


Chesil-boat-re-0120

During an exhibition a number of years ago I had a local artist buy an image of mine on display. In my eyes I always looked up at him, he was on a much higher step than little ol’ me, his images are displayed in the National Portrait Gallery for goodness sake! He’s big in the art world! I plucked up the courage to ask him why he bought my image. His answer was not what I expected, “ I want to paint it” he said. His joy in that image wasn’t to copy my image, but to experience the painting of it. I was touched that he liked my composition and presentation, but ultimately his experience was what mattered to him, not mine! The experience is the key, the joy of creating, the inner joy of knowing we made something unique. If someone else flatters us by wanting to replicate it, then that is no more than a compliment.

 

 


So if you are searching for your next level, ask yourself this simple question … am I enjoying and engaging with the experience or am I looking for my growth elsewhere?


The thread to the next level


The image making experience is the draw. It is the single thread of positivity that keeps our interest. It has been there and remains to be there through the generations. Just as in any art-form, the creative image making process is the core of continuity that inspires old and new photographers alike. The technology will come and go, be superseded and may even become a subject of humour, but the experience and memory will live on and continue to live on our memories, just as it does with the experiences with our first camera!


The elusive next level? … that’s simple … just enjoy the next experience of creating!